Music: Its Role, Qualities, and Influence
Its Role, Qualities, and Influence
As Set Forth in the Writings of
Ellen G. White
A Compilation of Materials Assembled
For the Study of the 1972
Task Force on the Philosophy of Music
&Ellen G. White Estate
Silver Spring, Maryland
1972 (Retyped June 2003)
A Word From the Compiler
In view of the forthcoming task force study of music, the White Estate was
requested to compile E. G. White materials which would have a bearing on the
matter to be considered by the Committee. In doing so, both published and unpublished
sources have been drawn from. It is mainly as we think in terms of the counsels
enunciating principles, then applying these principles, that E. G. White counsels
can be brought to have direct bearing on some of the matters before us.
We do not in this document attempt to make a general presentation on music
or to make an exhaustive presentation. It is altogether likely that we may have
overlooked some choice statement that in the present study has been caught by
one or another of the committee members.
We believe, however, that in the statements which follow basic principles are
set forth which can be taken and applied effectively now. These embody the role
an the impact of music
the effective
use of music in the services of the church and some counsel that may be of interest
to those who arrange for and lead music.
In the experience in Indiana in 1900 and 1901 in what is commonly referred
to as the holy flesh movement (discussed in Selected Messages, Book
2, pp. 31-39) music figured prominently. We have eye-witness descriptions of
what took place. We have Ellen White’s counsel based on a vision given
to her in January, 1900, in Australia, at the very inception of the holy flesh
movement, and on reports which came to her from Elder and Mrs. Haskell seven
months after the vision.
From this combination of materials we may find certain principles which will
give us guidance today.
So, without plans to make this compilation exhaustive, but in an attempt to
embody statements which would have a bearing on the study of this committee,
these materials are submitted.
A. L. White, Secretary
Ellen G. White Estate
Washington, D. C.
June 30, 1972
1. The Role of Music
The Power of Song. --The history of the songs of the Bible
is full of suggestion as to the uses and benefits of music and song. Music is
often perverted to serve purposes of evil, and it thus becomes one of the most
alluring agencies of temptation. But, rightly employed, it is a precious gift
of God, designed to uplift the thoughts to high and noble themes, to inspire
and elevate the soul.
As the children of Israel, journeying through the wilderness, cheered their
way by the music of sacred song, so God bids His children today gladden their
pilgrim life. There are few means more effective for fixing His words in the
memory than repeating them in song. And such song has wonderful power. It has
power to subdue rude and
power to quicken thought and
awaken sympathy, to promote harmony of action, and to banish the gloom and foreboding
that destroy courage and weaken effort.
It is one of the most effective means of impressing the heart with spiritual
truth. How often to the soul hard-pressed and ready to despair, memory recalls
some word of God’s,
--the long-forgotten burden of a childhood song, --
and temptations lose their power, life takes on new meaning and new purpose,
and courage and gladness are imparted to other souls!
The value of song as a means of education should never be lost sight of. Let
there be singing in the home, of songs that are sweet and pure, and there will
be fewer words of censure and more of cheerfulness and hope and joy. Let there
be singing in the school, and the pupils will be drawn closer to God, to their
teachers, and to one another.
As a part of religious service, singing is as much an act of worship as is
prayer. Indeed, many a song is prayer. --Education, pp. 167, 168.
A Weapon Against Discouragement. --If there was much more
praising the Lord, and far less doleful recitation of discouragements, many
more victories would be achieved. --Letter 53, 1896. (Evangelism,
Let praise and thanksgiving be expressed in song. When tempted, instead of giving
utterance to our feelings, let us by faith lift up a song of thanksgiving to
Song is a weapon that we can always use against discouragement. As we thus
open the heart to the sunlight of the Saviour’s presence, we shall have
health and His blessing. --Ministry of Healing p. 254. (1905)
To Impress Spiritual Truth. --Song is one of the most effective
means of impressing spiritual truth upon the heart. Often by the words of sacred
song, the springs of penitence and faith have been unsealed. --Review and
Herald, June 6, 1912.
A Means to Conserve Christian Experience. --Evening and morning
join with your children in God’s worship, reading His Word and singing
His praise. Teach them to repeat God’s law. Concerning the commandments,
the Israelites were instructed: &Thou shalt teach them diligently unto
thy children, and shalt talk of them when thou sittest in thine house, and when
thou walkest by the way, and when thou liest down, and when thou risest up.&
Accordingly, Moses directed the Israelites to set the words of the law to music.
If it was essential for Moses to embody the commandments in sacred song, so
that as they marched in the wilderness, the children could learn to sing the
law verse by verse, how essential it is at this time teach our children God’s
Word! Let us come up to the help of the Lord, instructing our children to keep
the commandments to the letter. Let us do everything in our power to make music
in our homes, that God may come in. --Review and Herald, September
8, 1904. (Evangelism, p. 499)
To Make Work Pleasant. --Make your work pleasant by songs
of praise. --Child Guidance, p. 148.
Drives the Enemy Away. --I saw we must be daily rising and
keep the ascendancy above the powers of darkness. Our God is mighty. I saw singing
to the glory of God often drove the enemy, and praising God would beat him back
and give us the victory. --Letter 5, 1850.
Song Helped Jesus Resist the Enemy. --When Christ was a child
like these children here, He was tempted to sin, but He did not yield to temptation.
As He grew older He was tempted, but the songs His mother had taught Him to
sing came into His mind, and He would lift His voice in praise. And before His
companions were aware of it, they would be singing with Him. God wants us to
use every facility which Heaven has provided for resisting the enemy. --Manuscript
65, 1901. (Evangelism, p. 498)
Bringing Heaven’s Gladness. --The early morning often
found Him in some secluded place, meditating, searching the Scriptures, or in
prayer. With the voice of singing He welcomed the morning light. With songs
of thanksgiving He cheered His hours of labor, and brought heaven’s gladness
to the toil-worn and disheartened. --Ministry of Healing p. 52. (1905)
He Sang Songs of Praise. --Often He expressed the gladness
of His heart by singing psalms and heavenly songs. Often the dwellers in Nazareth
heard His voice raised in praise and thanksgiving to God. He held communion
and as His companions complained of weariness from labor,
they were cheered by the sweet melody from His lips. His praise seemed to banish
the evil angels, and, like incense, fill the place with fragrance. The minds
of His hearers were carried away from their earthly exile, to the heavenly home.
--The Desire of Ages, pp. 73, 74.
2. The Effective Use Of Music In Israel’s
Experience
Songs Fixed Lessons in Mind. --As the people journeyed through
the wilderness, many precious lessons were fixed in their minds by means of
song. At their deliverance from Pharaoh’s army the whole host of Israel
had joined in the song of triumph. Far over desert and sea rang the joyous refrain,
and the mountains re-echoed the accents of praise, &Sing ye to the Lord,
for He hath triumphed gloriously.& Exodus 15:21. Often on the journey was
this song repeated, cheering the hearts and kindling the faith of the pilgrim
travelers. The commandments as given from Sinai, with promises of God’s
favor and records of His wonderful works for their deliverance, were by divine
direction expressed in song, and were chanted to the sound of instrumental music,
the people keeping step as their voices united in praise.
Thus their thoughts were uplifted from the trials and difficulties of the way,
the restless, turbulent spirit was soothed and calmed, the principles of truth
were implanted in the memory, and faith was strengthened. Concert of action
taught order and unity, and the people were brought into closer touch with God
and with one another. --Education, p. 39.
In the Schools of the Prophets: Part of the Curriculum. --In
both the school and the home much of t but the youth also
learned to read the Hebrew writings, and the parchment rolls of the Old Testament
Scriptures were open to their study. The chief subjects of study in these schools
were the law of God, with the instruction given to Moses, sacred history, sacred
music, and poetry. --Education, p. 47.
What Music Accomplished. --Sanctified intellects brought forth
from the treasure house of God things new and old, and the Spirit of God was
manifested in prophecy and sacred song.
Music was made to serve a holy purpose, to lift the thoughts to that which
is pure, noble, and elevating, and to awaken in the soul devotion and gratitude
to God. What a contrast between the ancient custom and the uses to which music
is now too often devoted! How many employ this gift to exalt self, instead of
using it to glorify God! A love for music leads the unwary to unite with world
lovers in pleasure gatherings where God has forbidden His children to go. Thus
that which is a great blessing when rightly used, becomes one of the most successful
agencies by which Satan allures the mind from duty and from the contemplation
of eternal things.
Music forms a part of God’s worship in the courts above, and we should
endeavor, in our songs of praise, to approach as nearly as possible to the harmony
of the heavenly choirs. The proper training of the voice is an important feature
in education and should not be neglected. Singing, as a part of religious service,
is as much an act of worship as is prayer. The heart must feel the spirit of
the song to give it right expression. --Patriarchs and Prophets, p.
Looking Back. --The journey to Jerusalem, in the simple, patriarchal
style, amidst the beauty of the springtime, the richness of midsummer, or the
ripened glory of autumn, was a delight. With offerings of gratitude they came,
from the man of white hairs to the little child, to meet with God in His holy
habitation. As they journeyed, the experiences of the past, the stories that
both old and young still love so well, were recounted to the Hebrew children.
The songs that had cheered the wilderness wandering were sung. God’s commandments
were chanted, and, bound up with the blessed influences of nature and of kindly
human association, they were forever fixed in the memory of many a child and
youth. --Education, p. 142.
3. Desirable Qualities
Clear Intonations- Distinct Utterance. --No words can properly
set forth the deep blessedness of genuine worship. When human beings sing with
the Spirit and the understanding, heavenly musicians take up the strain, and
join in the song of thanksgiving. He who has bestowed upon us all the gifts
that enable us to be workers together with God, expects His servants to cultivate
their voices, so that they can speak and sing in a way that all can understand.
It is not loud singing that is needed, but clear intonation, correct pronunciation,
and distinct utterance. Let all take time to cultivate the voice, so that God’s
praise can be sung in clear, soft tones, not with harshness and shrillness that
offend the ear. The ability to sing is the gift of G let it be used to His
glory. --Testimonies, Vol. 9, pp. 143, 144. (1909)
Factors in Effectual Music. --Music can be a great power for
yet we do not make the most of this branch of worship. The singing is
generally done from impulse or to meet special cases, and at other times those
who sing are left to blunder along, and the music loses its proper effect upon
the minds of those present. Music should have beauty, pathos, and power. Let
the voices be lifted in songs of praise and devotion. Call to your aid, if practicable,
instrumental music, and let the glorious harmony ascend to God, an acceptable
But it is sometimes more difficult to discipline the singers and keep them
in working order, than to improve the habits of praying and exhorting. Many
want to do things a they object to consultation, and are
impatient under leadership. Well-matured plans are needed in, the service of
God. Common sense is an excellent thing in the worship of the Lord.
--Gospel Workers, p. 325. (1892) (Evangelism, p. 505)
Effective Pathos. --There is a great pathos and music in the
human voice, and if the learner will make determined efforts, he will acquire
habits of talking and singing that will be to him a power to win souls to Christ.
-- Manuscript 22, 1886. (Evangelism, p. 504)
Not Volume but Fine Qualities. --Great improvement can be
made in singing. Some think that the louder they sing the
but noise is not music. Good singing is like the music of the birds--subdued
and melodious. In some of our churches I have heard solos that were altogether
unsuitable for the service of the Lord’s house. The long-drawn-out notes
and the peculiar sounds common in operatic singing are not pleasing to the angels.
They delight to hear the simple songs of praise sung in a natural tone. The
songs in which every word is uttered clearly, in a musical tone, are the songs
that they join us in singing. They take up the refrain that is sung from the
heart with the spirit and the understanding. --Manuscript 91, 1903.
(Evangelism, p. 510)
With Solemnity and Awe. --The melody of song, poured forth
from many hearts in clear, distinct utterance, is one of God’s instrumentalities
in the work of saving souls. All the service should be conducted with solemnity
and awe, as if in the visible presence of the Master of assemblies . --Testimonies,
Vol. 5, p. 493.
With Melody and Distinctness. --I am glad that a musical element has
been brought into the Healdsburg school. In every school, instruction in singing
is greatly needed. There should be much more interest in voice culture than
is now generally manifested. Students who have learned to sing sweet gospel
songs with melody and distinctness, can do much good as singing evangelists.
They will find many opportunities to use the talent that God has given them,
carrying melody and sunshine into many lonely places darkened by sin and sorrow
and affliction, singing to those who seldom have church privileges.
Students, go out into the highways and the hedges. Endeavor to reach the higher
as well as the lower classes. Enter the homes of the rich and the poor, and
as you have opportunity, ask, &Would you be pleased to have us sing? We
should be glad to hold a song service with you.& Then as hearts are softened,
the way may open for you to offer a few words of prayer for the blessing of
God. Not many will refuse.
Such ministry is genuine missionary work. God desires every one of us to be
converted and to learn to engage in missionary effort in earnest. He will bless
us in this service for others, and we shall see of his salvation. --Review and
Herald, Aug. 27, 1903. (Portion in Evangelism, p. 504)
One of God’s Entrusted Talents. --The human voice in
singing is one of God’s entrusted talents to be employed to His glory.
The enemy of righteousness makes a great account of this talent in his service.
And that which is the gift of God, to be a blessing to souls, is perverted,
misapplied, and serves the purpose of Satan. This talent of voice is a blessing
if consecrated to the Lord to serve His cause. --Letter 62, 1893. (Evangelism,
Choir and Congregational Singing. --In the meetings held,
let a number be chosen to take part in the song service. And let the singing
be accompanied with musical instruments skillfully handled. We are not to oppose
the use of instrumental music in our work. This part of the service is to be
for it is the praise of God in song. The singing is not
always to be done by a few. As often as possible, let the entire congregation
join. --Testimonies, Vol. 9, p. 144. (1909)
The Song Service. --The singing should not be done by a few
only. All present should be encouraged to join in the song service. --Letter
157, 1902. (Evangelism p. 507)
More on Musical Instruments. --Let the talent of singing be
brought into the work. The use of musical instruments is not at all objectionable.
These were used in religious services in ancient times. The worshipers praised
God upon the harp and cymbal, and music should have its place in our services.
It will add to the interest. --Letter 132, 1898. (Evangelism, pp. 500-501)
Instrumental Music at the General Conference of 1905. --I
am glad to hear the musical instruments that you have here. God wants us to
have them. He wants us to praise Him with heart and soul and voice, magnifying
His name before the world. --Review and Herald, June 15, 1905. (Evangelism,
4. Undesirable Qualities
Shrieking Sacred Words of Hymns of Praise. --Music forms a
part of God’s worship in the courts above. We should endeavor in our songs
of praise to approach as nearly as possible to the harmony of the heavenly choirs.
I have often been pained to hear untrained voices, pitched to the highest key,
literally shrieking the sacred words of some hymn of praise. How inappropriate
those sharp, rasping voices for the solemn, joyous worship of God. I long to
stop my ears, or flee from the place, and I rejoice when the painful exercise
Those who make singing a part of divine worship should select hymns with music
appropriate to the occasion, not funeral notes, but cheerful, yet solemn melodies.
The voice can and should be modulated, softened, and subdued. --Signs of
the Times, June 22, 1882. (Evangelism, p. 507-8)
No Jargon or Discord. --I saw that all should sing with the
spirit and with the understanding also. God is not pleased with jargon and discord.
Right is always more pleasing to Him than wrong. And the nearer the people of
God can approach to correct, harmonious singing, the more is He glorified, the
church benefited, and unbelievers favorably affected. --Testimonies Vol.
1, p. 146. (1857)
Sing With the Spirit and Understanding. --Do not hire worldly
musicians if this can possibly be avoided. Gather together singers who will
sing with the spirit and with the understanding also. The extra display which
you sometimes make entails unnecessary expense, which the brethren should not
and you will find that after a time unbelievers will not be
willing to give money to meet these expenses. --Letter 51, 1902. (Evangelism
5. Religious Music Made Satan's Snare
A. The Music at the 1900 Indiana Camp Meeting Described by Eye Witnesses
Its Almost Overwhelming Impact. --There is a great power that
goes with the movement [Holy Flesh] that is on foot there. It would almost bring
anybody within its scope, if they are at all conscientious, and sit and listen
with the l because of the music that is brought to play
in the ceremony. They have an organ, one bass viol, three fiddles, two flutes,
three tambourines, three horns, and a big bass drum, and perhaps other instruments
which I have not mentioned. They are as much trained in their musical line as
any Salvation Army choir that you ever heard. In fact, their revival effort
is simply a complete copy of the Salvation Army method, and when they get on
a high key, you cannot hear a word from the congregation in their singing, nor
hear anything, unless it be shrieks of those who are half insane. After an appeal
to come forward for prayers, a few of the leading ones would always come forward,
to and then they would begin to play on the musical instruments,
until you could not and under the excitement of this strain,
they get a large proportion of the congregation forward over and over again.
--S. N. Haskell report to E. G. White, September 25, 1900.
Dance tunes and Sacred Words. --We have a big drum, two tambourines,
a big bass fiddle, two small fiddles, a flute and two comets, and an organ and
a few voices. They have &Garden of Spices& as the songbook and play
dance tunes to sacred words. They have never used our own hymn books, except
when Elders Breed or Haskell speak, then they open and close with a hymn from
our book, but all the other songs are from the other book. They shout Amens,
and &Praise the Lord,& &Glory to God,& just like a Salvation
Army service. It is distressing to one’s soul. The doctrines preached
correspond to the rest. &The poor sheep are truly confused.& --Mrs.
S. N. Haskell report to Sara McEnterfer, September 12, 1900.
Lively Songs and Self-Induced Hysteria. --I attended the camp
meeting in September of 1900, which was held at Muncie, where I witnessed first-hand
the fanatical excitement and activities of these people. There were numerous
groups of people scattered all over the campground engaged in arguing and, when
these fanatics conducted the services in the large pavilion, they worked themselves
up to a high pitch of excitement by the use of musical instruments, such as:
trumpets, flutes, stringed instruments, tambourines, an organ, and a big bass
drum. They shouted and sang their lively songs with the aid of musical instruments
until they became really hysterical. Many times I saw them, after these morning
meetings, as they came to the dining tent fairly shaking as though they had
the palsy. --Burton Wade account to A. L. White, January 12, 1962.
B. Ellen G. White Comments on the Music at the 1900 Indiana Camp Meeting
A Bedlam of Noise Which Confuses the Senses. --The things
you have described as taking place in Indiana, the Lord has shown me would take
place just before the close of probation. Every uncouth thing will be demonstrated.
There will be shouting, with drums, music, and dancing. The senses of rational
beings will become so confused that they cannot be trusted to make right decisions.
And this is called the moving of the Holy Spirit.
The Holy Spirit never reveals itself in such methods, in such a bedlam of noise.
This is an invention of Satan to cover up his ingenious methods for making of
none effect the pure, sincere, elevating, ennobling, sanctifying truth for this
time. Better never have the worship of God blended with music than to use musical
instruments to do the work which last January was represented to me would be
brought into our camp meetings. The truth for this time needs nothing of this
kind in its work of converting souls. A bedlam of noise shocks the senses and
perverts that which if conducted aright might be a blessing. The powers of satanic
agencies blend with the din and noise, to have a carnival, and this is termed
the Holy Spirit’s working.
No encouragement should be given to this kind of worship. The same kind of influence
came in after the passing of the time in 1844. The same kind of representations
were made. Men became excited, and were worked by a power thought to be the
power of God. --Letter 132, 1900, to S. N. Haskell. (Published in Selected
Messages, Book 2, pp. 36, 37.)
Music Acceptable if &Properly Conducted,& Made Satan’s
Snare. --The Holy Spirit has nothing to do with such a confusion of
noise and multitude of sounds as passed before me last January. Satan works
amid the din and confusion of such music, which, properly conducted,
would be a praise and glory to God. He makes its effect like the poison sting
of the serpent.
Those things which have been in the past will be in the future. Satan will
make music a snare by the way in which it is conducted. God calls upon
His people, who have the light before them in the Word and in the Testimonies,
to read and consider, and to take heed. Clear and definite instruction has been
given in order that all may understand. But the itching desire to originate
something new results in strange doctrines, and largely destroys the influence
of those who would be a power for good if they held firm the beginning of their
confidence in the truth the Lord had given them. --Letter 132, 1900
to S. N. Haskell. (Published in Selected Messages, Book 2, pp. 37,
38.) (Emphasis Supplied)
These [in Indiana] were carried away by a spiritualistic delusion. --Evangelism,
Noise No Evidence of Sanctification. --I have been instructed
by the Lord that this movement in Indiana is of the same character as have been
the movements in years past. In your religious meetings there have been exercises
similar to those I have witnessed in connection with those movements in the
past. . . . There was much excitement, with noise and confusion. One could not
tell what was piped or what was harped. Some appeared to be in vision, and fell
to the floor. Others were jumping, dancing, and shouting . . . .
The manner in which the meetings in Indiana have been carried on, with noise
and confusion, does not commend them to thoughtful, intelligent minds. There
is nothing in these demonstrations which will convince the world that we have
the truth. Mere noise and shouting are no evidence of sanctification, or of
the descent of the Holy Spirit. Your wild demonstrations create only disgust
in the minds of unbelievers. The fewer of such demonstrations there are, the
better it will be for the actors and for the people in general. . . .
Many such movements will arise at this time, when the Lord’s work should
stand elevated, pure, unadulterated with superstition and fables. We need to
be on our guard, to maintain a close connection with Christ, that we be not
deceived by Satan’s devices.
The Lord desires to have in His service order and discipline, not excitement
and confusion. We are not now able to describe with accuracy the scenes to be
enacted in our but this we do know, that this is a time
when we mu for the great day of the Lord is at hand. Satan
is rallying his forces. We need to be thoughtful and still, and to contemplate
the truths of revelation. Excitement is not favorable to growth in grace, to
true purity and sanctification of the spirit...
God calls upon His people to walk with sobriety and holy consistency. They
should be very careful not to misrepresent and dishonor the holy doctrines of
truth by strange performances, by confusion and tumult. By this, unbelievers
are led to think that Seventh-day Adventists are a set of fanatics. Thus prejudice
is created that prevents souls from receiving the message for this time. When
believers speak the truth as it is in Jesus, they reveal a holy, sensible calm,
not a storm of confusion. --General Conference Bulletin, April 23,
1901. (Published in Selected Messages, Book 2, pp. 33-36)
6. The Lure of Worldly Music
No Frivolous Waltz or Flippant Song in the Schools of the Prophets.
--The art of sacred melody was diligently cultivated. [In the schools of the
prophets.] No frivolous waltz was heard, nor flippant song that should extol
man and divert the attention from G but sacred, solemn psalms of praise to
the Creator, exalting His name and recounting His wondrous works. -- Fundamentals
of Christian Education, p. 97.
When Satan Takes Charge. --There has been a class of social
gatherings in _____ of an entirely different character, parties of pleasure
that have been a disgrace to our institutions and to the church. They encourage
pride of dress, pride of appearance, self-gratification, hilarity and trifling.
Satan is entertained as an honored guest, and takes possession of those who
patronize these gatherings.
A view of one such company was presented to me, where were assembled
those who profess to believe the truth. One was seated at the instrument
of music, and such songs were poured forth as made the watching angels weep.
There was mirth, there was coarse laughter, there was abundance of enthusiasm,
and a but the joy was such as Satan only is able to create.
This is an enthusiasm and infatuation of which all who love God will be ashamed.
It prepares the participants for unholy thought and action. I have reason to
think that some who were engaged in that scene heartily repented of the shameful
performance. --Counsels to Teachers, p. 339. (Emphasis Supplied.)
Music Put to a Wrong Use. --I feel alarmed as I witness everywhere
the frivolity of young men and young women who profess to believe the truth.
God does not seem to be in their thoughts. Their minds are filled with nonsense.
Their conversation is only empty, vain talk. They have a keen ear for music,
and Satan knows what organs to excite to animate, engross, and charm the mind
so that Christ is not desired. The spiritual longings of the soul for divine
knowledge, for a growth in grace, are wanting.
I was shown that the youth must take a higher stand and make the word of God
the man of their counsel and their guide. Solemn responsibilities rest upon
the young, which they lightly regard. The introduction of music into their
homes, instead of inciting to holiness and spirituality, has been the means
of diverting their minds from the truth. Frivolous songs and the popular sheet
music of the day seem congenial to their taste. The instruments of music have
taken time which should have been devoted to prayer.
Music, when not abused, but when put to a wrong use, it
is a terrible curse. It excites, but does not impart that strength and courage
which the Christian can find only at the throne of grace while humbly making
known his wants and with strong cries and tears pleading for heavenly strength
to be fortified against the powerful temptations of the evil one. Satan is leading
the young captive. Oh, what can I say to lead them to break his power of infatuation!
He is a skillful charmer, luring them on to perdition. --Testimonies, Vol.
1, pp. 496-497. (Emphasis Supplied.)
Satan Uses it to Gain Access. --Eternal things have little weight
with the youth. Angels of God are in tears as they write in the roll the words
and acts of professed Christians. Angels are hovering around yonder dwelling.
The young there is the sound of vocal and instrumental
music. Christians are gathered there, but what is that you hear?
It is a song, a frivolous ditty, fit for the dance hall. Behold the
pure angels gather their light closer around them, and darkness envelops those
in that dwelling. The angels are moving from the scene. Sadness is upon their
countenances. Behold, they are weeping. This I saw repeated a number of times
all through the ranks of Sabbath keepers, and especially in _______.
Music has occupied the hours which should have been devoted to prayer.
Music is the idol which many professed Sabbath keeping Christians worship. Satan
has no objection to music if he can make that a channel through which to gain
access to the minds of the youth.
Anything will suit his purpose that will divert the mind from God and engage
the time which should be devoted to His service. He works through the means
which will exert the strongest influence to hold the largest numbers in a pleasing
infatuation, while they are paralyzed by his power. When turned to good
account, but it is often made one of Satan's most attractive
agencies to ensnare souls. When abused, it leads the unconsecrated to pride,
vanity, and folly. When allowed to take the place of devotion and prayer,
it is a terrible curse.
Young persons assemble to sing, and, although professed Christians, frequently
dishonor God and their faith by their frivolous conversation and their choice
of music. Sacred music is not congenial to their taste. I was directed to the
plain teachings of God's word, which have been passed by unnoticed. In the judgment
all these words of inspiration will condemn those who have not heeded them.
--Testimonies, Vol. 1, pp. 585-586. (Emphasis Supplied)
Low Songs and Lewd Gestures. --Among the most dangerous resorts
for pleasure is the theater. Instead of being a school of morality and virtue,
as is so often claimed, it is the very hotbed of immorality. Vicious habits
and sinful propensities are strengthened and confirmed by these entertainments.
Low songs, Lewd gestures, expressions, and attitudes, deprave the imagination
and debase the morals.
Every youth who habitually attends such exhibitions will be corrupted in principle.
There is no influence in our land more powerful to poison the imagination,
to destroy religious impressions, and to blunt the relish for the tranquil pleasures
and sober realities of life than theatrical amusements. The love for these
scenes increases with every indulgence, as the desire for intoxicating drink
strengthens with its use. --Testimonies, Vol. 4, pp. 652-653. (Emphasis
Israel Beguiled by Heathen Music. --Balaam knew that the prosperity
of Israel depended upon their observance of the law of God, and that there was
no way to bring a curse upon them but by seducing them to transgression. He
decided to secure to himself Balak's reward, and the promotion he desired, by
advising the Moabites what course to pursue to bring the curse upon Israel.
He counseled Balak to proclaim an idolatrous feast in honor of their idol gods,
and he would persuade the Israelites to attend, that they might be delighted
with the music, and then the most beautiful Midianitish women should entice
the Israelites to transgress the law of God, and corrupt themselves, and also
influence them to offer sacrifice to idols. This Satanic counsel succeeded too
well. --Spiritual Gifts, Vol. 4, p. 49. (Emphasis Supplied)
Beguiled with music and dancing, and allured by the beauty of heathen vestals,
they cast off their fealty to Jehovah. --Patriarchs and Prophets, p.
Musical Entertainments to Have a Religious Atmosphere. --It
has been revealed to me that not all the families who have a knowledge of the
truth have brought the truth into their practice. Every talent of influence
is to be sacredly cherished for the purpose of gathering souls to Christ's side.
Young men and young women, do not consider that your musical
entertainments, conducted as they are in ______ are doing acceptable missionary
work. A spirit has come into them that is of a different order. We had this
same spirit to meet thirty years ago, and we bore decided testimony against
it in Battle Creek.
A decided religious feature should be encouraged in all our gatherings. Light
has been given me decidedly again and again. Thirty years ago, when certain
ones would assemble together for an evening of singing exercises, the spirit
of courting was allowed to come in, and great injury was done to souls, some
of whom never recovered. --Manuscript 57, 1906.
The Peril of Worldly Entertainments. --It is not safe for
the Lord's workers to take part in worldly entertainments. Association with
worldliness in musical lines is looked upon as harmless by some Sabbath keepers.
But such ones are on dangerous ground. Thus Satan seeks to lead men and women
astray, and thus he has gained control of souls. So smooth, so plausible is
the working of the enemy that his wiles are not suspected, and many church members
become lovers of pleasure more than lovers of God. --Manuscript 82,
7. Secular Music
Qualities of Acceptable Secular Music. --For about an hour
the fog did not lift and the sun did not penetrate it. Then the musicians [on
the ship] who were to leave the boat at this place entertained the impatient
passengers with music, well selected and well rendered. It did not jar upon
the senses as the previous evening, but was soft and really grateful to the
senses because it was musical. --Letter 6b, 1893, pp. 2, 3. (Written
of the landing in New Zealand in February 1893.)
Beautiful Instrumental Music at the Swiss Beer Garden. --The same night there
was beautiful music and fireworks close by across the road. There is an extensive
beer garden owned by the city and carried on by the city. This garden is made
attractive with flowers and shrubs and noble trees, giving a nice shade. There
are seats that will accommodate hundreds, and little oval tables are adjusted
before these seats and this most beautiful instrumental music is played by the
band. --Manuscript 33, 1886.
An Indescribable Concert. --We are having an indescribable
concert. Nine are singing, -Dutch or German or French, I cannot tell which.
The voices are just splendid, quite entertaining. I think it is a Sunday-school
excursion company. --Letter 8, 1876.
8. The Musical Performers
Ambition for Display. --Musical entertainments which, if conducted
properly, will do no harm, are often a source of evil. In the present state
of society, with the low morals of not only youth but those of age and experience,
there is great danger of becoming careless, and giving especial attention to
favorites, and thus creating envy, jealousies, and evil surmisings. Musical
talent too often fosters pride and ambition for display, and singers have but
little thought of the worship of God. Instead of leading minds to remembering
God, it often causes them to forget Him. --Letter 6a, 1890.
Singing for Display-Counsel to a Leader of Music. --I was
taken into some of your singing exercises, and was made to read the feelings
that existed in the company, you being the prominent one. There were petty jealousies,
envy, evil surmisings, and evil speaking . . . . The heart service is what God
the forms and lip service are as sounding brass and a tinkling cymbal.
Your singing is for display, not to praise God with the spirit and understanding.
The state of the heart reveals the quality of the religion of the professor
of godliness. --Letter 1b, 1890. (Evangelism, p. 507.)
Music That Offends God. --Display is not religion nor sanctification.
There is nothing more offensive in God's sight than a display of instrumental
music when those taking part are not consecrated, are not making melody in their
hearts to the Lord. The offering most sweet and acceptable in God's sight is
a heart made humble by self-denial, by lifting the cross and following Jesus.
We have no time now to spend in seeking these things that only please the senses.
Close heart searching is needed. With tears and heartbroken confession we need
to draw nigh to God that He may draw nigh to us. --Review and Herald,
November 14, 1899. (Evangelism, p. 510)
Music Acceptable to God. --The superfluities which have been
brought into the worship in ________ must be strenuously avoided . . . . Music
is acceptable to God only when the heart is sanctified and made soft and holy
by its facilities. But many who delight in music know nothing of making melody
in their hearts to the Lord. Their heart is gone &after their idols.&
-- Letter 198, 1899. (Evangelism, p. 512)
9. Testimony to a Sensitive Choir Director
A Message of Counsel Touching Many Facets of Music and the Musician
I was shown the case of Brother S., that he would be a burden to the church
unless he comes into a closer relation with God. He is self-conceited. If his
course is questioned he feels hurt. If he thinks another is preferred before
him, he feels that it is an injury done to him . . . .
Brother S. has a good knowledge of music, but his education in music was of
a character to suit the stage rather than the solemn worship of God. Singing
is just as much the worship of God in a religious meeting as speaking, and any
oddity or peculiarity cultivated attracts the attention of the people and destroys
the serious, solemn impression which should be the result of sacred music. Anything
strange and eccentric in singing detracts from the seriousness and sacredness
of religious service.
Bodily exercise profiteth little. Everything that is connected in any way with
religious worship should be dignified, solemn, and impressive. God is not pleased
when ministers professing to be Christ's representatives so misrepresent Christ
as to throw the body into acting attitudes, making undignified and coarse gestures,
unrefined, coarse gesticulations. All this amuses, and will excite the curiosity
of those who wish to see strange, odd, and exciting things, but these things
will not elevate the minds and hearts of those who witness them.
The very same may be said of singing. You assume undignified attitudes. You
put in all the power and volume of the voice you can. You drown the finer strains
and notes of voices more musical than your own. This bodily exercise and the
harsh, loud voice makes no melody to those who hear on earth and those who listen
in heaven. This singing is defective and not acceptable to God as perfect, softened,
sweet strains of music. There are no such exhibitions among the angels as I
have sometimes seen in our meetings. Such harsh notes and gesticulations are
not exhibited among the angel choir. Their singing does not grate upon the ear.
It is soft and melodious and comes without this great effort I have witnessed.
It is not forced and strained, requiring physical exercise.
Brother S. is not aware how many are amused and disgusted. Some cannot repress
thoughts not very sacred and feelings of levity to see the unrefined motions
made in the singing. Brother S., exhibits himself. His singing does not have
an influence to subdue the heart and touch the feelings. Many have attended
the meetings and listened to the words of truth spoken from the pulpit, which
have convicted and so but many times the way the singing
has been conducted has not deepened the impression made. The demonstrations
and bodily contortions, the unpleasant appearance of the strained, forced effort
has appeared so out of place for the house of God, so comical, that the serious
impressions made upon the minds have been removed. Those who believe the truth
are not as highly thought of as before the singing.
Brother S.'s case has been a difficult one to manage. He has been like a child
undisciplined and uneducated. When his course has been questioned, instead of
taking reproof as a blessing, he has let his feelings get the better of his
judgment and he has become discouraged and would do nothing. If he could not
do in everything as he wanted to do, all in his way, he would not help at all.
He has not taken hold of the work earnestly to reform his manners but has given
up to mulish feelings that separate the angel from him and bring evil angels
around him. The truth of God received in the heart commences its refining, sanctifying
influence upon the life.
Brother S. has thought that singing was about the greatest thing to be done
in this world and that he had a very large and grand way of doing it. Your singing
is far from pleasing to the angel choir. Imagine yourself standing in the angel
band elevating your shoulders, emphasizing the words, motioning your body and
putting in the full volume of your voice. What kind of concert and harmony would
there be with such an exhibition before the angels?
Music is of heavenly origin. There is great power in music. It was music from
the angelic throng that thrilled the hearts of the shepherds on Bethlehem's
plains and swept round the world. It is in music that our praises rise to Him
who is the embodiment of purity and harmony. It is with music and songs of victory
that the redeemed shall finally enter upon the immortal reward.
There is something peculiarly sacred in the human voice. Its harmony and its
subdued and heaven-inspired pathos exceeds every musical instrument. Vocal music
is one of God's gifts to men, an instrument that cannot be surpassed or equaled
when God's love abounds in the soul. Singing with the spirit and the understanding
also is a great addition to devotional services in the house of God.
How this gift has been debased! When sanctified and refined it would accomplish
great good in breaking down the barriers of prejudice and hardhearted unbelief,
and would be the means of converting souls. It is not enough to understand the
rudiments of singing, but with the knowledge, must be such a connection with
heaven that angels can sing through us.
Your voice has been heard in church so loud, so harsh, accompanied or set off
with your gesticulations not the most graceful, that the softer and more silvery
strains, more like angel music, could not be heard. You have sung more to men
than to God. As your voice has been elevated in loud strains above all the congregation,
you have been thoughtful of the admiration
you were exciting. You have really had such high ideas of your singing, that
you have had some thoughts that you should be remunerated for the exercise of
this gift.
The love of praise has been the mainspring of your life. This is a poor motive
for a Christian. You have wanted to be petted and praised like a child. You
have had much to contend with in your own nature. It has been hard work for
you to overcome your natural besetments and live a self-denying, holy life. --Manuscript
&Ellen G. White Estate
June 30, 1972