to和too有什么区别?词义和用法上
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to 是介词,多表示“到……”,有时是不定式的标志,后面跟动词原型.too是副词,表示“太……”的意思；另外放在句末,前有逗号的话,表示“也”,主要用在肯定句中,也是副词.
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to 是介词，也可以做副词
prep.（介词）
In a direction toward so as to reach:
向：为了到达…而朝一个方向：
went to the city.
进城 Towards:
turned to me.
Reaching as far as:
The ocean water was clear all the wa...
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or 253KbAbstractВ целях продолжения исследований акад. Галояна, нами был проведен ряд экспериментов по выделению, очистке и определению биологической направленности нововыделенных соединений пептидной природы из предсердий и ушковых частей сердца свиньи. ??. ???????? ?????????????????? ??????????? ???????? ???????? ?? ?????? ???? ??????????? ??????? ?????????? ??????? ??????????????? ??????? ? ???????????? ????????????? ??????? ?????: For further studies established by Galoyan, a series of experiments on the isolation, purification and determination of biological direction of peptides isolated from pigs atria were carried out. For fulfilling the biotests the preparative amount of samples was required.Item Type:ArticleAdditional Information:???? ????????????? ????? ????????????? ???? ??????? ??????? / ?. ?. ???????: Solid phase synthesis of cardioactive peptide isolated from pigs atria / G. S. Chailyan.
Uncontrolled Keywords:Твердофазный синтез - fmoc-аминокислоты - ВЭЖХ - фенилизотиоцианат - масс-спектральный анализSubjects:ID Code:10985Deposited By:Ruzan TumanyanDeposited On:06 May Last Modified:16 Feb Repository Staff Only:
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by Ng, Mau-sang
Abstract (Summary)
(Uncorrected OCR) Abstract of thesis entitled "The Rise and Development of Realism in Modern Chinese Novels (1917 - 1937)" submitted by Ng Mau Sang for the degree of Master of Philosophy at the University of Hong Kong in August, 1976.The emergence of the modern Chinese realistic novel coincided with the dawn of the Literary Revolution of 1917. Many writers ofthe time, the "Art for Life" School in particular, advocated realism as the basic creed of literary creation. That realism was a powerful influence on modern Chinese novelists can be seen from the vastoutput of realistic novels during the twenties and thirties. This thesis is an investigation of the reasons for the rise and development of this realistic trend, and the nature of realism as was understood by Chinese critics and novelists.The positivistic conception of life of the many Chinese writers of the time is the most important factor in the gradual changes of these novels. In the concrete, their approach to art was utilitarian. Art should promote the welfare of human beings, but it should also reflect society as it is. A detailed study (Chapters One and Two) shows how this positivistic outlook grew from the origins of the late chling, and how closely it is related to the evolution of the modern novel. The influence of western literary theories and realistic novels is noticed, as is the change from a semi-mythological to a rationalist conception ofthe Chinese novel. All these were important elements in the deVelopment of the modern novel.(1)The concept of realism in the Chinese context is subjected to a detailed study in Chapter Three, and it is sU9<]ested that the lack of a pessimistic determinism in the nove~s distin<]uish Chinese realism from its classical European coun~erpart in the 19th Century.It is in this light that the realistic novels are examined in Chapter Four. Attention is focussed on the works of four important "realists": Mao Tun, Yeh Shao-chtln, Wang Lu-yen andWu Tsu- stress is placed not so much on their artistic achievements as on their general characteristics as realistic writers.With the new awareness of socialism in China in the early thirties, the influence of utilitarian humanism weakens andthe new novels begin to reflect the ideology of socialist realism.( ii )
Bibliographical Information:
School Location:China - Hong Kong SAR
Source Type:Master's Thesis
Keywords:chinese fiction 20th century history and criticism realism in literature
Date of Publication:01/01/1976
& 2009 OpenThesis.org. All Rights Reserved.欢迎访问***员网
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宁夏区委党校生存没有绝境,其实就看那你肯不肯去做.这句话是什么意思 ？ ？？？？？？？？？？？？？？？？？？？急！_百度知道